Jerry Hunt: Work Listing
NOTE: This is Jerry's own work listing, compiled in early 1993. It enumerates most, but not all, of his extent works. Omitted are some collaborative works, a few very late works (e.g., The Finley-Hunt Report with Karen Finley and Telephone Calls to the Dead with 77 Hz), commercial and for-hire projects, and specific listings for student works. Also omitted are certain works made by combining elements from other compositions, a frequent practice of Jerry's. One example of this is Fludd: (Volta): Jal (MUSIC), which Jerry recorded on Musicworks 39, but did not list here.
Links are included where a recording or description is available. Date listings refer to completion and/or first performance.
| DATE | WORK | TYPE |
|---|---|---|
| 1953-60 | study works and exercises: piano/violin, piano, flute, flute/clarinet, string quartet and quintet. orchestra and chamber ensemble works, cello solo, celeste/oboe/clarinet, prepared piano, percussion ensemble, etc. | |
| 1960 | colinear axes two pianos |
|
| 1960-61 | theater functions 1-8 various performer and ensembles, arrangements |
|
| 1961-62 | Helix 1 variable instrumentation |
unperformed work/performance material |
| 1961-62 | Helix 2 variable instrumentation, performers |
unperformed work/performance material |
| 1963 | Helix 3 variable instrumentation, mechanic, electronic |
single performance or site specific work |
| 1963 | Sur Doctor John Dee for 0-11 performers or groups |
repertory multiple performance work |
| 1964-65 | Preparallel 1-10 orchestra groups |
unperformed work/performance material |
| 1965 | Tabulatura Soyga 0-11 instruments, electronic system revision 1985 |
unperformed work/performance material |
| 1965 | Unit situation, alone |
single performance or site specific work |
| 1966 | for Vivaldi voice, various instruments, variable |
single performance or site specific work |
| 1967 | Helix 4 mechanical instrument, electronic system |
single performance or site specific work |
| 1969 | Helix 5 contrabass alone |
single performance or site specific work |
| 1969 | Helix 6 electronic instruments, system |
unperformed work/performance material |
| 1970 | Infrasolo various mechanical instrument groups, specific versions |
single performance or site specific work |
| 1970 | parallel helix electronic sounds, magnetic tape |
multiple performances |
| 1970 | autotransform glissando multiple orchestra groups |
unperformed work/performance material |
| 1971 | sequential helix electronic sounds, magnetic tape |
multiple performances |
| 1971 | symphony electronic system performance |
single performance or site specific work |
| 1971 | Helix 7 flute alone |
unperformed work/performance material |
| 1971 | Helix 8 three performers, variable instrumentation |
single performance or site specific work |
| 1972 | transhelix electronic sounds, magnetic tape |
multiple performances |
| 1972 | Haramand Plane: continuous electronic information processing systems |
multiple performances |
| 1972 | Aur Resh electronic sounds, magnetic tape |
single performance or site specific work |
| 1973 | Aur Resh videotape; collaboration David Dowe |
multiple performances |
| 1973 | Haramand Plane:
recursive/regenerative electronic audio-video system for interactive performance |
multiple performances |
| 1973 | Quaquaversal Transmission 1 variable system-performance descriptor |
|
| 1973 | Cantegral Segment(s)
(continuing series, various implementation and system configurations)
|
single performance or site specific work |
| 1973 | Haramand Plane:
parallel/regenerative audio-video system, special purpose interactive, adaptive information processors, variable implementation |
multiple performances |
| 1973 | Procession electronic sounds; videotape, collaboration, David Dowe |
single performance or site specific work |
| 1974 | Procession audio-video version, magnetic tape |
multiple performances |
| 1974 | Cantegral Segment 4 electronic performance system |
single performance or site specific work |
| 1974 | Cantegral Segment 5, 9, 12 two performers: voice, clavichord, harmonium, percussive devices (metal, wood) |
single performance or site specific work |
| 1975 | Cantegral Segment 6 resonant percussive devices |
multiple performances |
| 1975 | Kelley: (Drape) transactional mimetic exercise alone |
repertory multiple performance work |
| 1975 | Cantegral Segment 7 short duty percussive devices |
single performance or site specific work |
| 1975 | Cantegral Segment 7a impulse activated variable resonator system |
single performance or site specific work |
| 1975 | Cantegral Segment 8 magnetic tape version: Cantegral Segment 7a |
multiple performances |
| 1975 | Cantegral Segment 13 pianoforte alone, modified intonation |
multiple performances |
| 1975 | Cantegral Segment 14 string instrument(s): one or two players |
unperformed work/performance material |
| 1976 | Cantegral Segment 15 voice alone |
unperformed work/performance material |
| 1976 | Cantegral Segment 16 voice with interactive adaptive electronic system and generalized delay processors |
multiple performances |
| 1976 | Cantegral Segment 17 transient signal storage system recording available |
single performance or site specific work |
| 1976 | field (elapsed) audio-video system: performance and magnetic tape versions |
unperformed work/performance material |
| 1977 | Cantegral Segment 17a revision, Cantegral Segment 17 (system) |
multiple performances |
| 1977 | Cantegral Segment 16a revision, Cantegral Segment 16 (system) |
multiple performances |
| 1977 | Cantegral Segment 18 electronic voice emulator recording available |
multiple performances |
| 1977 | Cantegral Segment(s) 19, 20 breath-lip driven mechanical instruments, optional electronic audio signal processor |
unperformed work/performance material |
| 1977 | pounding transient percussive array devices and theatrical action assembly |
repertory multiple performance work |
| 1977 | Volta (kernel) voice, transitional vocal-gestural exercise recording available |
repertory multiple performance work |
| 1977 | Transform (stream) variant, Cantegral Segment 15 (breath sounds, bell cluster and drum devices; option: voice ensemble) recording available |
repertory multiple performance work |
| 1977 | Cantegral Segment 21 electronic performance instrument ensemble, variable configuration |
unperformed work/performance material |
| 1978 | Cantegral Segment(s) 22, 23, 24 variable timbre and intonation mechanical keyboard control devices, small percussive device arrays |
single performance or site specific work |
| 1978 | Cantegral Segment(s) 25, 26 transient short-duty storage performance systems |
single performance or site specific work |
| 1978 | Transform (stream): composite system emulation version of Cantegral Segment(s) 19, 17 |
single performance or site specific work |
| 1978 | Transphalba electronic performance system, adaptive control processor, variable implementation recording available |
single performance or site specific work |
| 1978-79 | Lattice mechanical keyboard devices, percussive auxiliary attachment arrays, various versions recording available |
repertory multiple performance work |
| 1979 | Phalba (stream) variable implementation, continuous variant-component mechanic devices |
repertory multiple performance work |
| 1980 | Volta (converge 1, 2) voice ensemble, variable |
repertory multiple performance work |
| 1980 | pounding (ensemble auxiliary) percussive array system ensemble |
repertory multiple performance work |
| 1980 | Phalba: Ground (extractive:
converge 1,2) percussive array ensemble system, responsive |
repertory multiple performance work |
| 1980 | Phalba (ILA: DUPLEX) binary mechanic arrangements, multiples |
unperformed work/performance material |
| 1980 | Phalba (ILA: DUPLEX): kernel isolate mechanic device, multiple |
unperformed work/performance material |
| 1980 | Phalba(): Kernel electronic storage system, performance and magnetic tape versions (variant, Haramand Plane) |
single performance or site specific work |
| 1980 | Tabulatura Soyga: Core performance system variant of Tabulatura Soyga: electronic spatial scanner and audio signal processor, variable implementation |
unperformed work/performance material |
| 1980 | CORE (fixture: probe) installation system of microwave scanner spatial detectors with electronic audio signal processors, various configurations |
single performance or site specific work |
| 1980 | Volta (Stream) speech-essay version; reading speech process exercise |
single performance or site specific work |
| 1980 | Volta (fixture): Ground installation system, interactive adaptive processor, voice emulator |
single performance or site specific work |
| 1980 | Quaquaversal Transmission 2, 3 performance convention definitions of Haramand Plane isolates and derivatives |
single performance or site specific work |
| 1981 | CANA (overlay): Converge mixture and isolate voice mechanic system performance |
multiple performances |
| 1981 | Ground: Field (still-core set) performance convention of composite transactional flood, variable inserts and system complements |
multiple performances |
| 1981 | Quaquaversal Transmission 4 interactive telephony convention system, using bilateral adaptive electronic implementations |
single performance or site specific work |
| 1981 | Ground: Field (transform de
Chelly) congruent performance convention using player groups, conduit (alone), mobile oratorio block, variable implementation |
multiple performances |
| 1982 | Ground: Field (Birome) variant performance system of binary trans-sexual mimetic sheathing flood using adjunct audio-video multiplex scene coders |
unperformed work/performance material |
| 1982 | Ground: Field (Birome) variant:
extractive performance convention of isolates of sheathing flood with adjunct performance system from Ground binary mimetic translations alone |
unperformed work/performance material |
| 1982 | Quaquaversal Transmission 5 object transmission of Ground: Field (bilateral telephony conventions)
|
unperformed work/performance material |
| 1982 | Quaquaversal Transmission 6 system performance using multiple-channel telephony transmission of geomantic object exercises within on-site mechanic fields |
unperformed work/performance material |
| 1983 | Lattice (taylor extractive) performance convention system for complement of mechanic and electronic translations of Lattice; version: clavichord, fortepiano, electronic performance systems and/or instrument(s) |
single performance or site specific work |
| 1983 | CANA (overlay): burst-core performance alone using system of transactional mimetic exercise, electric light-wand artifacts and mechanic assembly device arrays |
multiple performances |
| 1983 | Birome
(ZONE): Cube installation system of microrobotic sensor mannequin artifact, interactive video-audio system, complement of adaptive control systems |
repertory multiple performance work |
| 1983 | Phalba (stream): extractive mechanic performance alone, adaptive control array, electronic system |
unperformed work/performance material |
| 1983 | (Quaquaversal Transmission)
(Phalba): Stream variant using bilateral interactive telephony convention |
single performance or site specific work |
| 1983 | Core (plate): ground-field installation system of multiplex adaptive color video surfaces |
unperformed work/performance material |
| 1983 | Tango pianoforte alone |
multiple performances |
| 1983 | Transphalba: (Core) system performance alone using special purpose control mechanisms in artifact array devices with adaptive control interface |
unperformed work/performance material |
| 1983 | Phalba (ILA) monopole: Kernel action isolate using mechanical system construct-artifact array (Dee reversion variant) |
single performance or site specific work |
| 1983-4 | (Field): CYRA multiples of pairs of mechanic instrument groups, variable implementation adaptive electronic storage system, insert-overlay |
multiple performances |
| 1984 | Ground: Field (Transform de
Chelly): ROTA version of Ground: Field (transform de Chelly) using adaptive rotation system of electronic sound storage and interactive mobile oratorio, mechanic implement transactional exercise, optional geomantic video display processor |
multiple performances |
| 1984 | Volta (Birome) flash stream vocal fixture with complement transactional mimetic exercise in an object manipulation field, voice, mechanic instrument ensemble and/or electronic adaptive memory, video-audio: derivative of Ground: Field (Birome) and Birome (ZONE): Cube |
multiple performances |
| 1984 | Phalba (Birome) monopole: kernel interactive control performance and magnetic tape (fixture) versions |
single performance or site specific work |
| 1984 | Transphalba (ROTA): monopole system performance alone using electronic storage and adaptive control, video and audio scan detection interface |
single performance or site specific work |
| 1984 | Lattice (taylor extractive): Des
Arc global variant derivative of Lattice; version, keyed free aerophone group alone, mechanic attachment array |
unperformed work/performance material |
| 1984 | Lattice (taylor extractive): VICI version, chordophone group alone, mechanic-attachment array |
unperformed work/performance material |
| 1984 | Bitom (stream) content gloss overlay of transactional evoked exercise |
multiple performances |
| 1985 | DIOM fixture overlay using a system of mechanic object arrangements as centered display action |
multiple performances |
| 1985 | Phalba (converge) ensemble context exercise ensemble auxiliary, variable ensemble configuration |
multiple performances |
| 1985 | Chimanzzi (translation): helix contrabass alone, variant helix 5 |
unperformed work/performance material |
| 1985 | GROUND system and convention revision |
repertory multiple performance work |
| 1985 | Haramand Plane () system variant using multiplex layer recall and variable translation control strategy |
repertory multiple performance work |
| 1985 | Phalba (Birome): extractive audio-video interactive performance system using isolate mechanic source alone, control translation mechanism |
unperformed work/performance material |
| 1985 | Tango ensemble and accordion variants |
repertory multiple performance work |
| 1985 | Cantegral Segment(s): Frame transformation device for Cantegral Segment 7, 17, 16, 19, 22, 25, 27 |
unperformed work/performance material |
| 1985 | Cantegral Segment(s): metrical
overlay system of metrical translation for Cantegral Segment 7, 17, 16, 19, 22, 25, 27 |
unperformed work/performance material |
| 1985 | Pleroma (object) performance content translation exercise, various ensembles and configurations |
unperformed work/performance material |
| 1985 | Pleroma (object): gloss interactive electronic performance system emulation of Pleroma (object) |
unperformed work/performance material |
| 1985 | Transform (stream): pounding
(reflex) interactive electronic composite emulation of isolate components of Transform (stream) and pounding |
multiple performances |
| 1985 | Pastos (fixture) flash feature derivative of Ground |
multiple performances |
| 1985 | deAbano (translation) flash feature derivative of Haramand Plane and composite inserts |
multiple performances |
| 1985 | Fluud system of translation derivatives, various instrument and control system implementations recording available |
repertory multiple performance work |
| 1985 | (Fluud) Maier (separation) derivative system variant of Fluud |
unperformed work/performance material |
| 1986 | Birome (Zone): Plane performance translation of Birome (ZONE): Cube |
repertory multiple performance work |
| 1986 | Pleroma (Frame) binary layer performance content translation exercise, derivative of Pleroma (object) |
unperformed work/performance material |
| 1986 | Polka accordion alone |
unperformed work/performance material |
| 1986 | Mask (Window): SOYGA (DIOM) a composite translation exercise, derivative of Lattice, Tabulatura Soyga, DIOM |
multiple performances |
| 1986 | Kelley: Drape: String videotape translation of Birome (ZONE): Cube stream components |
single performance or site specific work |
| 1987 | Olun (Wholon) serial electronic control stream system, eight, or multiples of two, paired electronic storage sound systems |
unperformed work/performance material |
| 1987 | Chimanzzi (variant): double pair layer exercise using multiphonic sources (source: viola, pianoforte) |
unperformed work/performance material |
| 1988 | Birome
(ZONE): Cube [frame] installation system, parallel mechanical variant of Birome (ZONE): Cube |
single performance or site specific work |
| 1988 | Transphalba [frame] translation of Transphalba: electronic and mechanical overlay, interactive retrieval audio-video system |
unperformed work/performance material |
| 1989 | Birome (ZONE): Cube (Core) video disk retrieval mechanism, translation derivative of Birome (ZONE): Cube |
unperformed work/performance material |
| 1989 | Bitom: Fixture interactive audio-video display system object translator collaboration with sculptor David McManaway |
single performance or site specific work |
| 1989 | Bitom: Fixture (string) interactive audio-video retrieval translation of Bitom: Fixture |
unperformed work/performance material |
| 1989 | Ground: Field [OLUN] ensemble derivative of Ground: Field (transform de Chelly) and CYRA using paired sources |
unperformed work/performance material |
| 1989 | Babylon (string) mechanic ensemble array, electronic interactive retrieval system, extract collaborative gesture-text version with Karen Finley |
single performance or site specific work |
| 1990 | Babylon (string) string isolates, electronic system performance, recording variant recording available |
single performance or site specific work |
| 1990 | Chimanzzi (Lattice): Double variant translation, Lattice, pianoforte, percussion auxiliaries |
unperformed work/performance material |
| 1990 | Trapani (stream) a: pianoforte, in memoriam Houston and Jill Higgins recording available |
repertory multiple performance work |
| 1990 | Trapani (stream) b: percussion ensemble/voice in memoriam Jack Briece |
multiple performances |
| 1990 | Ground (Birome): Plane interactive retrieval system performance |
repertory multiple performance work |
| 1990 | Kiss interactive mechanic-electronic composite installation |
|
| 1990 | Bed interactive mechanic-electronic composite installation |
|
| 1991 | Bitom (fixture): plane interactive source and object translation complement |
single performance or site specific work |
| 1991 | Chimanzzi (Olun): core translation of Lattice for source and complement performance pair, various versions recording available |
multiple performances |
| 1991 | Chimanzzi (Olun): double for performance group, various versions |
unperformed work/performance material |
| 1991 | Lattice (stream): ordinal composite variant of Lattice recording available |
multiple performances |
| 1991 | Bitom (rota): fixture gloss transactional exercise using modulation gestures and object source array arrangement strings |
repertory multiple performance work |
| 1991 | Bitom (stream): link pair exercise using isolate or ensemble source and response strategy link goal strings, derivative of Bitom (rota) recording available |
multiple performances |
| 1992 | Birome [zone]: plane (fixture) video translation of Birome (zone): plane videocassette available |
single performance or site specific work |
| 1992 | Bitom (fixture): topogram interactive performance using agent-patient operators within an interactive response field videocassette available |
repertory multiple performance work |
| 1992 | Transform
(stream): core video recording translation of Transform (stream) videocassette available |
single performance or site specific work |
| 1992 | Transform (stream): monopole fixture translation of Transform (stream): core recording available |
repertory multiple performance work |
| 1992 | CANA (Bed): overlay composite interactive installation |
multiple performances |
| 1992 | ghost box electronic interactive sound installation |
|
| 1992 | Bitom [fixture]: topogram (core) video translation of Bitom (fixture): topogram with Michael Galbreth, patient |
single performance or site specific work |
| 1992 | Talk (slice): duplex video translation of Talk (slice); a) separation: Jerry Hunt; b) separation: Rod Stasick score available videocassette available |
single performance or site specific work |
| 1992 | Talk (slice):
double multiple layer fixture translation of Talk (slice): duplex recording available |
single performance or site specific work |
| 1992 | Bitom (fixture: plane) interactive assembly action collaboration with Maria Blondeel |
single performance or site specific work |
| 1992 | Bitom (stream): couple variant of Bitom (stream): link, pianoforte, trombone, transient device arrays |
repertory multiple performance work |
| 1992 | Birome (Zone): Hemisphere variant translation of Birome (ZONE): Cube, interactive audio-video memory cabinet installation system |
single performance or site specific work |
| 1993 | Cantegral Segment 26 variant of Cantegral Segment 22 using mechanical device arrays |
unperformed work/performance material |
| 1993 | Cantegral Segment 27 variant of Cantegral Segment 22 using locally polyphonic device and auxiliary mechanical device clusters |
unperformed work/performance material |
| 1993 | Birome (stream): link 1, 2 variant link translations of Birome (Zone): plane |
multiple performances |
| 1993 | Chimanzzi: link mechanical pair translation of Transform (stream) recording available |
multiple performances |
| 1993 | Marten
Toonders Studio interactive participant controlled installation collaborative work with Paul Panhuysen, Hogeschool voor Kunst, Rotterdam |
single performance or site specific work |
Original Material Copyright © 1993 by Jerry Hunt. HTML Coding Copyright
© 2001 by Michael Schell.
All Rights Reserved.